Saturday, December 18, 2010
Alternate Timeline Movie Theory
To counter this effect I began thinking about movies in terms of real life time lines. Consider for a moment the theory that each and every decision we make creates another alternate universe, thereby creating an infinite number of universes (we've all heard of this theory). I decided to apply a similar logic to movies.
What if each and every sequel creates another movie universe. Before you say it sounds ridiculous, let's take a look at an example. "Pirates of the Caribbean": We have movie number one, "Curse of the Black Pearl". It stands completely alone and has a distinct end. From the end of "Black Pearl" we could see any number of possible next chapters (although no next chapter is required). Enter the sequel, "Dead Man's Chest", this film answers the question of what happens next. It gives a fairly competent sequel, but remember, anything could have happened at the end of "black pearl". The sequel, in effect, creates a possible universe where its events follow the events of the first movie.
To me this is a very helpful way of looking at movies. Sure they made more pirates movies, but in my mind the first movie is the true universe while subsequent sequels are possible (if unlikely) later chapters. I can like the first and ignore the others or countenance them as I wish. I know, this is a lot of complication for a simple idea, but as a movie-addict, it helps to keep me happy.
This split-universe effect holds true for only certain sequels. The first film must exist as its own concise chapter and not be set up with a cliffhanger ending. No one can claim that "the empire strikes back" is in another universe than "a new hope" because the first movie directly led into the second (no distinct ending as the villains are still at large). On the other hand, it's easy to say the the original three movies exist in their one univse while the prequel films create another.
This is where the fun begins. Let's take a look at some famous franchises. Clearly each Indiana Jones film creates another universe (in that case it even fulfill one of my pet peeves of this category, characters that are written out for sequels, what happened to Marion?). The first "Back to The Future" is in its own universe, while I would say the two sequels create a second. As they are connected by a cliffhanger ending between movie 2 and 3, I would say 2 and 3 are in the same universe (the same goes for "Pirates of the Caribbean" and "The Matrix").
Most sequels can be viewed like this, and it really depends on how much you liked the sequels to how you want to view them. For example I loved the first two Spider-man films and view them as one universe while the horrible third movie creates a third universe, but you could easily say that the second film creates a universe also. The same holds true for Toy Story and the new Batman movies; if you liked the sequels you tend to group them with the first film.
So what films are exempt from this. Continuous series such as "Lord of the Rings", "Kill Bill", and the original Star Wars films are clearly exempt. The cliffhanger ending or undefeated villain is usually the best sign of this. Vader and Sauron both lived till the last movie, hence, no split universe. Other continuous movies (and when you think about it there aren't many) include 'Harry Potter" and "Twilight" (although this relies on how the books were written, if they books were split universe sequels than by following them, the movies are too).
Again this is a bit stupid I know, but it's also a fun way to classify sequels and get rid of disturbing ones (I've been known to use it on TV show episodes too although this gets tricky). So what do you think? Have you seen any interesting continuous or split-universe sequels recently?
Monday, December 6, 2010
The Graske's Corner
Here's the link
On here you'll find news, reviews, games, and right now you can have a chance at winning an Amy Pond poster.
Give it a look.
Thursday, December 2, 2010
Gallifrey Girl...and Her Birthday!
Let It Snow!!!!! |
Monday, November 29, 2010
Movie Review: "Batman: Under the Red Hood"
Here's a trailer
The movie plays out like a long episode of the popular Batman: The Animated Series. You have to be at least semi-familiar with Batman going into it or it won't make sense (Batman is given no origin and part of the film's charm is that it plunges you without warning into a pulpy, fully-developed animated Gotham). But "Red Hood" distances itself from the older cartoons in violence and depth.
The movie begins with the Joker savagely beating Batman's sidekick Robin with a crowbar. Minutes later, the building where the boy is being held hostage is blown up, killing the "boy wonder". This not only sets up the films story, but also gives the tone of the rest of the film. While, not too much gore is actually seen (the film is only PG-13), blood spatters, severed head, and character deaths are all seen or mentioned in frank detail. While some may find this offputting in a cartoon, I found it much closer to what I wanted in a Batman film, and appreciated that the filmakers were modeling their story off of the tone of Nolan's "Dark Knight" (just listen to subdued music that runs throughout "red hood").
Not everything works perfectly in Batman: Under the Red Hood. The story revolves around a new crime lord/vigilante with a personal vendetta against both Batman and Joker. While the story itself flows fairly smoothly, the dialogue is often forced or simply weak. And while I appreciated the limited cast (too many of these animated movies cram as many characters in as possible), some characters like "Black Mask" never quite become 3-dimensional. The voice-acting is mostly very good (Neil Patrick Harris as Nightwing and Jason Isaacs as Rhas al Ghul), but I found myself missing the gritty voice of Kevin Conroy for Batman. Another problem is the movie's length; with a runtime of only 75 minutes, it feels more like a quality episode than a solid movie.
On the other hand, the film has quite a bit to like. The action sequences are the best I have seen in any superhero cartoon, and the animation is crisp although it relies a bit too often on computer generated effects. Details lacking in other cartoon abound here, birds sit on top of building, minor wounds result in blood, and Gotham City is beautifully dank and dismal.
The movie's ending is not perfectly satisfying, but it's not bad. I think "Red Hood" could have done with another twenty minutes or so. In the end, I didn't love the movie, but I think it's a solid step in the right direction for superhero cartoons in general. If you're an animation, superhero, or simply Batman fan, give it a look. If not, I advise waiting to see if DC and Marvel will make something better.
Story ideas
Friday, November 26, 2010
A New Author
Thursday, November 25, 2010
Cartoons
One genre that is almost completely overlooked for critical consideration is that of childrens cartoons. As you probably can tell from the blog, I am a big superhero fan, and hence have watched many superhero cartoons. As with any media their quality is a mix, but those that are good are generally unrecognized.
Let’s start with the bad. These cartoons are aimed mostly at kids, and it shows. A common problem of the shows I’ve seen is the inability to talk like humans (it’s aimed at kids, who needs writers, right?). Another issue is bloodshed; you don’t need to be bloody to have a good show, but the lengths the writers go to in avoiding any real violence is annoying. Characters classically use swords to cut villain’s guns apart and destroy robots while guns are meant to sever the ropes on booby traps or simply miss. This doesn’t quite make sense, what are we teaching kids, carrying and using weapons has no consequences?
Adults have trouble seeing past these problems too shows that are sometimes good. But to be fair, not many of them are good in any way. Shows that appeal to what they think kids must like (monsters, bright colors, action, fights, did we mention squeaky voices?) are a dime a dozen as are show that are either rip-offs or watered down stories (try watching the horribly bland, perfectly nonviolent “Spectacular Spider-Man”). Nine out of ten childrens cartoons are completely unwatchable.
Now for the good, childrens cartoons are evidence of something that is almost nonexistent in America: serious serialized animation. Yes we have a few movies every year (usually comedic) and yes there are a few adult cartoons (also usually comedic, think “south park” and “robot chicken”), but there are very few action or adventure shows told with animation. And I think this is to our loss; animation tells stories in interesting ways that are as yet untapped in live-action TV.
Apart from the teen-drama “Smallville”, what superhero tv shows have been a success? Most are supposed to be poor (“Heroes”) to awful (“Birds of Prey”). It’s partly a matter of budget, superheroes require millions of dollars to look right in live-action, and few tv budgets can support it (check out the horribly, low-budget costumes in “Smallville”). On the other hand, cartoons can support an unlimited roster of heroes, every costume and piece of technology imaginable, and new settings for every episode. This has been used to great effect in shows like “Justice League: Unlimited” and “Teen Titans”.
Also, cartoons require less of a viewing base and hence certain offbeat and interesting titles that would be cancelled for adults have made it to many seasons. For example, “Teenage Mutant Ninja Turtles” (the 2003 reboot) lasted 4 seasons, and spawned three seasons of sequel shows. Good or bad, many odd and unique shows last long beyond a single season.
3D animation is changing the playing field. The largest action cartoon hit of the decade for adults and kids has been “Star Wars: Clone Wars” and is animated in 3D. DC is planning a show in much the same style about for its “Green Lantern” franchise. 3D is being planned for other franchises too, and these shows, thanks largely to “Clone Wars”, are garnering a surprising amount of attention.
So in general, while cartoons are a mixed bag, they have a surprising number of good titles. Over the next week I will write reviews of my favorite and least favorite cartoons.
Wednesday, November 24, 2010
Some Random Characters
Name: Roger
Species: Homunculus
Origin: The Hellboy Comic series by Mike Mignola.
Bio: Despite a story filled with random madness (the main plot revolves around a half-demon who hunts monsters for the government), the comic "Hellboy" is full of surprisingly down to earth heroes. Most of the characters are fun, but my personal favorite is Roger. Created in medieval times, Roger is an artificial human created with magic and chemicals. Awakened in modern times, he was taken into custody by the BPRD (Bureau for Paranormal Research and Defense). Roger is very strong and very old, but what makes him interesting is his childlike innocence and wonder. Despite being artificial and having a very troubled past, he always is optimistic and smart.
Name: The Question
Species: Human
Origin: DC comics
Bio: Vic Sage was a TV reporter who went out at night as a crime fighter: his signature costume was a blue fedora and a skin-colored, faceless mask. Eventually his self-confidence and arrogance almost got him killed. Left shot for dead in a river, Vic managed to survive, but came back a different man. Now unsure of his place in the world, he tries to balance asian philosophy with heroics or "zen and violence". While this may sound like a boring mix, he is an amazingly three-dimensional character whose story is surprisingly intelligent: a rarity for comics. Check out the video link (there are spoilers) to his entertainingly insane if more lighthearted part in the cartoon "Justice League Unlimited"
The Best of The Question
Name: Moist
Species: Human (probably)
Origin: Doctor Horrible's Sing-a-Long Blog
Bio: Just so they're not all comic book characters "moist" is from a series of three internet shorts featuring musical superheroes. Created by fanboy legend Joss Whedon and starring Neil Patrick Harris it's been a surprising success. But for me, on character stole the show: evil villain wannabe Moist. He's not really villain material as his only real power is making things soggy ("at my most badass I want to make people go take a shower" is his immortal line). Saving up his "evil points" to get into the "henchmens union", Moist is the roommate of the main character. While he may not get much airtime, everything he says is funny and notice how he always looks soggy; this guy know his moisture.
So, there are some random characters, was this post a bust or worth doing some more eventually? Comment if you are willing.
Monday, November 15, 2010
Superhero Movies, The Next Two Years
The next two years are huge for superhero movies. Thanks to the success of franchises like Iron Man, Batman, and X-men, we are about to see a glut of costumed adventures. Like them or hate them (I’m a mix), it’s worth taking a quick look at what’s coming and what to expect.
2011
Thor: The next movie in the famed marvel movie universe (meaning it is set in the same world as the events of Iron Man and The Incredible Hulk), Thor is Marvel’s take on norse mythology. If the trailer is any indication this movie looks bloated and a bit dull.
Green Lantern: DC’s first major superhero movie in a long time is a space opera epic about an interstellar peace-keeping force. The special effects and sci-fi look amazing, but the cast leaves something to be desired.
Captain America: The First Avenger: Also part of Marvel movie universe, this is the tale of a scrawny world war 2 soldier whose involvement in an army super-soldier project leaves him as a muscled warrior. It stars Chris Evans who is often very good (Sunshine is the best example), but like Thor and Green Lantern, there’s not much that makes this one look great.
X-Men: First Class: After a horrible third installment and a poor prequel, the X-men series (not part of the marvel movie universe) is on the rocks; this movie hopes to change all that. A prequel that will probably be more reinvention than anything, it traces the beginnings of the war between Professor Charles Xavier and Magneto. The only thing to really recommend it so far is the talented James Mcavoy playing Professor X.
The Wolverine: Another part of the X-men series, this film will seek to forget the other wolverine movie, by focusing on wolverine’s famed time in Japan. Being based on a comic by the great frank miller and surprisingly directed by Darren Aronofsky, there’s a surprising amount of hype behind this sequel-to-a-prequel.
2012
Untitled Spider-man reboot: Yawn, another remake/prequel thingy. This is a story with a brand new cast about Spider-man’s days in highschool. Mary Jane is out; Gwen Stacey is in. The only thing that really recommends this is it’s base in the excellent Ultimate Spider-man comics by Brian Bendis.
The Avengers: Yet another part of the Marvel movie universe, this will be a team up of Thor, Iron Man, Captain America, Hawkeye (new for this film, he will played by Jeremy Renner), and Hulk (played by Mark Ruffalo). Directed by the amazing Joss Whedon (after Doctor Horrible, I have to call him amazing), this has the potential to be a lot of fun.
The Dark Knight Rises: The third and final chapter in Christopher Nolan’s batman trilogy is easily the superhero movie I am most looking forward to in the next two years. After two stellar Batman Movies and three even more stellar non-batman ones (Memento, The Prestige, Inception), this should be incredible. What do we know? The villain will not be Riddler, Penguin, or Mr. Freeze and Tom Hardy has been cast as someone.
Superman: They tried superman in 2006 playing off the popularity of Batman Begins, and it failed miserably. This time it is written and produced by the genius behind The Dark Knight and directed by Zack Snyder of 300 and Watchmen fame. We don’t know much except it will be a much darker take on “The man of steel”. Written by Chris Nolan? I’m sold.
Other titles that are being possibly developed are the marvel movieverse films Iron Man 3 and War-Machine. Also there is a possible Ant-man movie in the works directed by Scott Pilgrim’s Edgar Wright and starring Nathan Fillion; hopefully, that will happen.
Sunday, November 14, 2010
Through The Ages...CyberMen
and Remember: The Cybermen are UNSTOPPABLE!
Join Us and CONVERT Today! |
The Space Western
Joss Whedon's "Firefly" is probably the most famous. It contained a general western feel, but with specific parallels to the civil war. James Cameron's blockbuster "Avatar" has borrowed the western theme of frontier indians. "Star Wars" is traditionally based more on medieval times than western, but the cartoon series "Clone Wars" has introduced some distinctly western elements (specifically, I'm thinking of Cad Bane, see picture). And next year, "Iron Man" director Jon Favreau is making a movie out of the popular comic "Cowboys and Aliens".
Anime has used the space western theme many times, although each show seems to have a slightly different take on it. For example, there is "Cowboy Bebop" (bounty hunters), "Trigun" (wandering gunslingers), "Outlaw Star" (hired guns/bodyguards), and "Gun Sword X" (gunfighters again).
So for what reason are Space Westerns used? After all, the idea that in the future the technology and culture will somehow revert to western times can't be taken very seriously. With the exception of titles like "Cowboys and Aliens" which is played for ridiculous pulp value, I think there is a common factor of most of these space westerns. In most of them, space is treated, to borrow the famous term from "Star Trek", as the final frontier. In many of these stories, as travel and colonization into space has become common, a new land has opened up. With earth serving as the "civilized" world, planets and space have become the new "western frontier". It's a simple logical step to add a few bars and western accents.
This process clearly doesn't work for some titles such as "Star Wars" that is unrelated to earth to star out with, but digging a little deeper the same core idea exists. Planetary travel has opened up, even if not in contrast to earth, new frontiers. Often in these stories, the western motifs are confined to a "desert planet" or at least a "desert sector".
So that's my basic take on space westerns. Please comment if I have left out an important titles or points. I personally find the space western to be a very compelling genre. The mix of old and new often makes a story of spaceships less boringly shiny, but more gritty and real.
Saturday, November 13, 2010
You like DW so...
1.Sherlock
I won't waist too much time on this one. I haven't finished it yet, but I love it. I think the pilot episode is far better than anything Moffat wrote for Doctor Who this year, and is right up there with his best writing in Doctor Who. It's witty, fast-paced, and puts every other crime show I've seen to shame in terms of intelligent writing. Arthur Conan Doyle would be proud.
2.Cowboy Bebop
I assume the fact that this is anime will deter a lot of viewers. I generally hate anime, and I was forced against my will to try this. I finished the whole 26 episode series in under a week and have since rewatched it mant times. Cowboy Bebop is a dark, gritty take and sci-fi, western, and noir genres. It follows a small group of bounty hunters lead by an ex-cop and and a former gangster who scour the galaxy for criminals. It's speed and quality of sci-fi belie its deeper philosophical depth. Each character is somehow lost, and searching for a way to reconcile their past and their present. All in all, it is probably the most consistent TV show I have ever seen having only two episodes I would rank as anything less than amazing.
3. Justice League Unlimited
I have yet to meet anyone who liked this show as much as I did. It's very american, having its base in the superhero universe of DC comics. Every superhero on earth has banded together into one group: the Justice League. The villains are running scared, but so are the American people. The government is watching and a storm is coming. Filled with interesting social questions, creative plots, and some of my favorite characters ever (IE, The Question and Booster Gold), this one is not to be missed. While the cheap animation may turn many off, beyond it is a rich and interesting story.
Friday, November 12, 2010
Save Us (The Audio Series)
http://www.theunknownmonty.blogspot.com/
One Word That Describes Monty:
BRILLIANT!!!
Did I mention?
HES AN AUSSIE WHO FAN!!!!!!
Thursday, November 11, 2010
Remember
In Flanders Fields the poppies blow between the crosses, row on row,That mark our place and in the sky the larks still bravely singing fly scarce heard amid the guns below
We are the dead short days ago we lived,felt dawn,saw sunset glow, Loved and were loved and now we lie in Flanders Fields.
Take up the quarrel with the foe: to you from failing hands we throw the torch;be yours to hold it high. If ye break faith with us who die. We shall not sleep,though poppies grow in Flanders Fields
Dedicated to all who fought for our Countries
Wednesday, November 10, 2010
Doctor Who and YOU!
Tegan, Turlough, Rose, Martha, Donna
YOU Decide!
Just leave a comment telling me your choice!!!